This is a double high ballscreen appreciation post.
One of the most versatile and simple actions is the Double High ballscreen. The offense can run it in a flow situation like a double drag or as a set play in half court offense. It is easy to manipulate personnel by putting the better shooter first or second. You can change the angles of the screen and the other two offensive players can change positions.
Lets look at some of the ways that the Portland Trail Blazers use the double high to great success for Dame Lillard ballscreen attacks.
Roll & Pop or Pop & Roll
The easiest way to manipulate the double high is how you align the two players involved. You can run the same action but by switching the two players involved can completely change the action.
If you put your better shooter as the first screener, you will usually roll with the second screener. This would put your second screeners into a tough choice between ballscreen coverage & staying with a shooter. This would be Pop/Roll.
If you put your better shooter as the second screener, your first screener would be the roll guy. Your second screener would pop into space. On an empty side, this action is extremely good.
Or you can be like Chris Mack at Xavier and just have both guys roll. A really good concept that sounds weird, until you see it.
Double Drag
One of the main parts of transition flow is being able to seamlessly flow into action without much of a setup. If you have both of your bigs or even a wing and a big trailing the play. It puts pressure on the defense to recognize, communicate, and then executer their coverage. Add in a dynamic playmaker like Lillard and you put the defense in a red alert to get it all correct on the fly.
Defensively, the defense must be on the same page for the double high. Especially with Lillard as the ball handler. Lillard acts like a running back trying to find the hole on a running play. If the first gap isn’t plugged, he will turn it upfield and get to the basket. Lillard is also a threat to pull up at any time and will shoot off that first screen
Opening up the Middle of the Floor for the roll
We have talked about the spacing of the double high opening up the paint. Here we will look at how it opens up space for the roller. A hard roll puts a ton of pressure on the defense and forces one of the corners to pinch in to help.
Although the clips show the roller scoring, you can easily see how this can be an area to run offense from if you have a passing big. With the big short rolling to the free throw line, it would force one of the corner guys to help in. This would lead to easy kick outs or a layup.
These technically might not be short rolls, but I though it was close enough to classify as that.
Reject
The reject is one of the best ways to try and score on a ballscreen. In the double high, it is even more effective because if you are able to reject it, you are downhill into a 3 on 2 situation with great spacing.
Double High Creating a Single Tag
I talked about this concept in an earlier blog post about Northern Colorado. Single tag actions are extremely difficult to navigate defensively. Forcing a defender to do two things in a row is a great way to cause a breakdown. So for this example it would be the first defender having to help guard the ballscreen and then having to help on the roll.
Portland does a great job of leveraging their best shooters in the first screener spot. Whether this is McCollum or Carmelo, the defense is put in a tough situation of helping on the roll or staying with a shooter.
Portland runs some good double high action out of their sets. Here is one that creates a single tag situation for the defense.
Staircase
The staircase concept is another great concept I have learned from the guys at Efficient Sauce. The staircase double high is a double high setup with the 2nd screener below the level of the 1st screener. This is a great concept for guards that can shoot like Lillard or guards that are more drive.
With the 2nd screen being lower, this would take away the under from most defenses because that second screen would result in an easy dribble 3. It also makes the switch harder, because if the defense switches the first screen he must now actively work to get back over the first screen.
For a more drive heavy guard (think Ja Morant/Ish Smith) that isn’t as much of a threat to shoot the 3, this gives the ball handler a way to create some downhill momentum to the basket.